Daniel McLaughlin
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Learn Walking Bass in 7 Days

Craft connected basslines for jazz and beyond.

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Who it's for

Late beginners
If you’re comfortable with scales and arpeggios but want to capture the driving feel of walking bass, this class is for you.

Time

7 days

Daniel McLaughlin will guide you through 7 days of instruction with daily practice plans and assessments.

Outcome

Build basslines that flow

By the end of this class, you’ll be able to turn simple patterns into fluid grooves for jazz, pop, and beyond.

Keep Going

Take the next step

Once you've mastered this class, keep learning with more challenges and guided Learning Pathways.

What you'll learn

Each day, Daniel will introduce a new walking bass skill and show you how to weave it into grooves that work across genres. From traditional jazz lines to modern bass parts, this class will help you build fretboard confidence and play with purpose.

  • Inject momentum into your basslines
  • Navigate chord changes like a pro
  • Improve your fretboard fluency

Curriculum

Stay focused with this step-by-step learning program designed by our expert team of music educators.

How it works

Your guided challenge

Across 7 days, Daniel will take you on a tour of the core elements behind walking bass and teach you how to apply them in jazz, blues, pop, and beyond. You'll leave this class with a better understanding of your fretboard and the ability to compose your own walking basslines.

Walking blues cliché

We’ll kick things off by learning one of the most iconic walking basslines in music.

In Day 1, Daniel will break down the classic walking-blues cliché and show you how to add motion to your basslines by landing on each quarter note.

You’ll start honing these skills over a 12-bar blues inspired by Rock Around the Clock.

Two feel vs. four feel

Today’s all about groove and feeling. Daniel will teach you the difference between two vs. four feel and show you how to use each one to shape the momentum of a song.

You’ll apply both feels over a jazzy chord progression and start making intentional choices about note length and rhythmic placement.

Target notes and chromatic walking

Next, we’ll zoom in on landing strong notes in the right place (the most important aspect of walking bass).

Once you've dialed in your sense of target notes, you'll learn how to approach them chromatically.

You’ll experiment with chromatic walkups and learn how to enclose chord tones for added tension and momentum

Day 5. Stepwise walking

Today, you’ll bring in more melodic motion using scale tones. Daniel will show you how to blend stepwise movement with chromatic ideas to connect chords in creative ways. You’ll also get a taste of jazz harmony with a progression inspired by Autumn Leaves.

Day 6. Intervallic walking

We’ll take a closer look at how intervals shape your basslines. Daniel will break down common intervallic moves to help you outline chords with clarity and intention. You’ll apply these shapes over a bluesy groove.

Day 7. Outliers

On the final day, you’ll add flavor and expression to your walking lines. Daniel will introduce ghost notes, triplets, and octave pedals as a way to bring energy and personality to your playing.

Performances

After your last lesson, you'll have a choice of three performance pieces where you can groove with a live-recorded band to apply what you learned in a purely musical context.

7-Day Plan

Day 1. Walking blues cliché

In this intro lesson, you’ll start by learning the fundamentals of walking bass and applying them to a 12-bar blues progression.

Who said clichés had to be a bad thing? To kick off the class, you’ll learn the iconic walking bass move.

This lesson is all about what makes a walking bassline different from a normal bassline, as well as how to place your notes to create forward motion.

You’ll then put these skills to the test over a blues track inspired by the iconic ‘50s tune Rock Around the Clock, by Bill Haley & His Comets.

Day 2. Two feel vs. four feel

Learn the two foundational feels for walking bass.

Day 2. Two feel vs. four feel

With your walking-bass basics down, we’ll look at two different ways to feel time that you can use to accentuate the rhythm and add variety to your playing.

You’ll start with a two feel, which consists of notes on the strong beats (1 and 3). Then, you'll move on to a quarter-note pulse, which forms the foundation of walking bass.

To get this idea under your fingers, you'll learn that incorporates both feels as a way to build momentum throughout and avoid "over-walking".

Days 3-4. Target notes and chromatic walking

Learn how to keep your eye on the prize and jazz up your playing.

Day 3. Target notes

They say it’s about the journey, not the destination, but in walking bass, your destination shapes the entire path.

In this lesson, Daniel will show you how to approach root notes using half- and whole-step approaches to emphasize chord changes. Using a Van Morrison-inspired track, you’ll focus on the strongest beat of all: the 1.

Day 4. Chromatic walking

As long as you know your target notes, there are few limits to the number of notes you can use to approach them. Using chromatic walking lets you experiment by adding different levels of momentum and tension leading up to your root note.

Daniel keeps it tame in this lesson with 3- and 4-note approaches over a track inspired by Hey Joe, performed by Jimi Hendrix. You’ll also learn how to enclose your root note to incorporate melodic movement in your bassline.

Days 5-7.

To wrap up the class, we'll explore different ways you can approach your target notes and explore three outlier techniques to take your playing further.

Day 5. Step-wise walking

Chromatic walking will serve you in many situations, but what if you want to add a little melody to your lines? Well, in this lesson, you’ll learn how to use the scale of the chord you’re playing over to follow the chord changes more precisely and place your notes to emphasize the strong beats.

You’ll learn how to walk up using perfect 4th intervals and walk down using perfect 5th intervals. By combining step-wise walking with chromatic walking, we can outline the chord without losing the forward momentum leading back to the root.

Day 6. Intervallic walking

Throughout this class, we’ve been using intervals, but today we put a name to it and explore the theory. Thinking about walking basslines through the lens of intervals helps us better understand how the notes we’re playing interact with scales and chords.

We’ll look at several common types of intervallic walking basslines, including dominant 7th arpeggios, 6ths, and octave leaps. Using these in your playing will perk up your listener’s ear and complement the chords.

Day 7. Outliers

Now that you’ve got the fundamentals of walking bass down, you probably want to learn how to add your personal touch to the basslines we’ve been playing. In this final lesson of the class, you’ll explore three more advanced techniques that you can use to add flavor to your lines.

Ghost notes will let you think like a drummer and subdivide the beat. Triplets help you emphasize the swing feel of a song. Finally, you’ll learn how to bring attention to the most important note of all with the octave pedal.

Performances

Now that your walking-bass skills are locked in, you’ll get three chances to apply them to genre-spanning tracks. Time to show off those new walking-bass skills.

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